Movie Review: Transformers 3 Dark of the Moon
This will be a first for this blog and while it has little to no relevance for my readers who are used to thoughtful spiritual commentary – it does deal with giant transforming robots and lots of explosions, so I’m going to give it a pass.
It will come as no surprise to any of you who know me well that I have been looking forward to this movie since it was announced as a studio project well over a year ago. It was a chance for Michael Bay and co. to rebound from the universally panned “Revenge of the Fallen” and finish off this franchise with a movie worthy of the source material. I’ll leave my final thoughts for the end of the review – but suffice it to say, if the goal was to produce a better film than ROTF – Mr. Bay has succeeded.
At this point I should probably warn you that this review WILL contain spoilers so if you’re averse to those kinds of things I suggest you just bookmark the page and read the post after you’ve seen the movie yourself.
The plot unfolds once again with a bit of revisionist history. In the first movie we had the story of Sector 7 and the real reason the Hoover Dam was built. In Revenge of the Fallen we have the story of how the pyramids were really built (spoiler: it was the robots) and in this movie, as the title would imply, Michael Bay amps up the moon landing conspiracy to incorporate a back-story including cover-up, treason, a crashed ship and powerful humans working with the Decepticons since the 1960s. In this (which serves as the introduction to the film) we have a really interesting blend of new footage blended with archived newsreel to place seeds of conspiracy into the famous stories we all grew up reading about (or watching if you’re of the appropriate generation).
| Carly circa 1986 and 2011 |
After the introduction and historical back story we jump once again into the life of our human protagonist Sam Witwicky (Shia Laboeuf). Sam has now finished college and is shacking up with his girlfriend Carly (an obvious reference to Carly Witwicky the wife of Spike Witwicky in the original cartoon series – Spike is the character that Sam was based on when he was first conceived). Carly is played by former Victoria Secret model and Hollywood newcomer Rosie Huntington-Whitely who steps into the role of eye-candy for the franchise’s third instalment. There was a lot of controversy over the “firing” of Megan Fox for this third film and the abandonment of her character Mikkela Barnes from the story. And in truth the transition was handled poorly in my opinion. We got two or three off-handed comments about Sam being dumped (her name was never mentioned in dialogue – she was just the ex-girlfriend) and no real understanding of why. While the character of Carly was much less developed than Mikkela’s was (and the connection with the audience suffered as a result) I happen to think that Rosie Huntington-Whitely was an upgrade on Megan Fox in the acting department. She brought considerably more likeability the character than we had seen in the female leads from the previous two films and the raunchiness was considerably toned down in this film from the previous two (particularly when compared to the Revenge of the Fallen which raised the bar for unnecessary sexualisation to new heights). Other than a gratuitous leg-shot when we were first introduced to her character, Carly (while always dressed to be noticeably beautiful) was treated by the director with a lot more dignity than Mikkela ever was. Anyway Sam is unemployed and living with the frustration of having saved the world twice, received a medal of bravery from the president, graduated from an Ivy League university and still not being able to find a job. A good chunk of the movie here focuses on the comical aspects of Sam’s search for employment, frustration with the interests of Carly’s rich and attractive boss in his girlfriend and an unravelling Decepticon plot surrounding the ship crashed on the dark side of the moon – this time around we learn the that Decepticons have human collaborators.
In Revenge of the Fallen the story arc for Sam was all about wanting to be normal and realising that the circumstances of his life weren’t going to let him be – the idea being that some of us are destined for greater things and when the call comes we need to be ready to respond. Optimus tells him that “Fate rarely calls upon us in a moment of our choosing” and Sam’s journey is coming to terms with the fact that the chance of being normal disappeared long ago – he was someone special and he needed to accept the costs of that reality. In DOTM by contrast Sam has been largely sidelined by the powers that be – pushed into the background, sworn to secrecy and turned into a nobody. He can’t even land a decent job out of university and he desperately wants to get back to living a life that matters. Of course circumstances unfold that thrust him into that position again and in the end Sam learns the lesson that what really matters isn’t being important - it’s being with the ones you love; as Sam defiantly walks into a Chicago under siege to rescue Carly who has been taken hostage by the human antagonist of the film.
| Should have been Rodimus |
Along the way we are introduced to a number of new robotic characters from the Autobot’s shuttle maintenance crew dubbed the Wreckers (after an elite squad of warriors from the comic universes) who all transform into Nascar vehicles armed to the teeth, to Dino – a confusingly Italian Autobot who turns into a Ferrari (should have been Rodimus – but I’m biased), and Que – a strange, crazy old man robot who looks a little like caricatures of Albert Einstein and dispenses gadgets like his James Bond film namesake. None of them really make an impact on the film (although Que does provide the means for a couple of significant character deaths – including his own) and could have probably been done without to give more screen time to previously established characters. On the Decepticon side we are introduced to Shockwave – a hulking Autobot killing machine and a very different Megatron. The most important robot to the plot of this movie however is Sentinel Prime – the lone survivor from the Autobot shuttle crash on the moon and the key to everything that happens in this movie.
Sentinel Prime was the Autobot leader before Optimus (an idea that has been echoed in many different Transformers continuities over the years). During the final throes of the Great War he left Cybertron in a ship called the Ark with a technology that could turn the tide of the war for the Autobots. Unfortunately his ship was attacked by Decepticons and presumed destroyed. In reality it was badly damaged and crash landed on Earth’s moon where it was supposed to make a rendezvous. The technology that he was carrying was a form of Spacebridge technology (interstellar teleportation if you will) and upon learning of the Ark’s existence Optimus and Ratchet bring Sentinel and the remaining Spacebridge pillars back to Earth. It is here that Optimus uses the Transformers franchise’s favourite Deus Ex Machina, the Autobot Matrix of Leadership, to revive his former commander and set the wheels of the plot in motion.
The problem with all of this was that the Autobots only recovered 6 of the hundreds of pillars that were stored aboard the Ark – someone else had been looting the ship long before they got there – and I’ll give you one guess as to whom. Sam eventually learns of the cover-up at NASA and the Soviet Space Agency and the Decepticons involvement. The Decepticons want the spacebridge but since only Sentinel can operate it and since only Optimus possessed the means to revive him they needed the Autobots to be unwitting pawns in their plan – with the resurrection of Sentinel Prime – Megatron’s master plan was advancing. Which is somewhat appropriate because most of the plot for this movie is ripped off of a combination of two story arcs from the original cartoon series – the first being Megatron’s Master Plan (Part One, Part Two) and the second being the Ultimate Doom (Part One, Part Two, Part Three). Sam discovers what’s going on and alerts the Autobots that Sentinel is the key and needs to be protected at all costs. Then the mayhem (or is it Bayhem) starts.
The special effects kick into high gear and we get some shots that I can only imagine were designed for maximum 3D experience (I don’t fully know as I saw the movie in the more traditional format) and all hell breaks loose as the major plot twist is revealed of who Sentinel was originally coming to Earth to rendezvous with – Megatron. The traitor’s colours are shown and things go downhill fast for the Autobots and the rest of planet Earth.
At the end we are left with a definite conclusion to the story with all of the antagonists dead, a couple key protagonists paying the ultimate price for victory and the rolling of the Linkin Park movie anthem welcoming the credits.
My initial reaction to the film was awe.
I couldn’t believe the scale of what was happening on the screen – I have never seen anything bigger from a special effects perspective in my life. This is what action movies are made of. But as I thought about it more and more my perspective on the film soured.
I realized as I reflected that the movie brought little to no joy. The scale was bigger, the stakes more epic but there was none of that child-like wonder that I experienced with the first movie – seeing my favourite franchise brought to life. There weren’t even the geek-out moments in this film like I experienced in ROTF when we first got sight of Devastator and witnessed the live-action interpretation of a combiner. During production Bay compared this story to a Black Hawk Down sort of situation. He said it would be darker and more intense – and it was. I found that rather than cheering through the over the top action sequences I was watching them with an unexpected uncomfortableness. The shock and awe of the action left me feeling like Carly in the afore mentioned scene – shell shocked and stunned.
The plot was better than ROTF but there were still glaring holes. Having been spoiled about a month earlier by the novelization of the movie and knowing the general story arc in advance there were so many small things that could have been changed that would have gone a long way to making the story tighter, making the audience care more about the characters and making deaths more meaningful. And last night as I reflected on those things I was left wondering how much of the original story was discarded by Bay to feed his own gratuitous action fetishes (the novelization was pretty good and Bay was accused of similar hack and slash edits by the story writers for ROTF).
It’s interesting once again to note that the professional critics are decrying DOTM as the “most unpleasant movie watching experiences” they’ve had to endure. Currently it’s sitting at only 38% on the Rotten Tomatoes index – conversely the non-professional critics have rated it at 90%. This is one of those films that will reveal a disconnect between the pros and joes when it comes to movie preferences. I don’t think that DOTM is nearly as bad as the critics want you to believe – but it’s also not nearly as good as I had hoped it would be or as I think it could have been. I am a Transformers fan so I will go an see it again when it comes to Estevan (and this time in 3D) and I will buy the special edition blu-ray disc when it comes out sometime just before Christmas. But I can’t help feeling a little disappointed with a movie that I looked forward to as much as this one. I give DOTM 3 stars out of 5.
For those of you who are interested – despite its PG rating I would NOT recommend DOTM for kids under 12. The content is remarkably cleaner than ROTF (the humour and innuendo in this movie is a little more high-brow than the last) but the violence is so graphic and the action so intense that I think it would be nightmare fodder for younger minds.
Until next time,
Chris



